TALES OF THE CITY
Helen Angove began her working life as an electrical engineer on the south coast of England, took a brief detour as a pricing analyst for an electricity supply company (which was as much fun as it sounds) and then veered off in a different direction altogether by becoming a priest in the Church of England. Now, however, she is living with her husband and two children in Southern California, and is against all the dictates of common sense exploring the possibility of writing as a viable career choice. She has known Philip Purser-Hallard for longer than either of them might care to remember, and holds him responsible for inculcating in her a long-lasting love of science fiction. Her love of Jane Austen, on the other hand, she developed entirely on her own, and the blame for deciding to combine the two can be laid at the feet of no one else.
Blair Bidmead, author of ‘Happily Ever After Is a High-Risk Strategy’, has had three short stories published previously – ‘Party Kill Accelerator!’ (in The Panda Book Of Horror), ‘Now Or Thereabouts’ (in Faction Paradox: A Romance In Twelve Parts) and ‘Are You Loathsome Tonight?’ (in Señor 105 & the Elements of Danger). He has a novel on the go, another in mind and a webcomic in his not-too-distant future. A musician, an artist and a (semi-) retired hedonist, Blair lives in London with his wife and two young children and is tired, but sickeningly happy. He thinks that talking in the third person only feels right when the Rock does it.
Elizabeth Evershed is a freelance writer based in London. Since graduating from Durham University in 2009 with a PhD in late medieval and early Renaissance literature, she has worked in various capacities as a tutor and researcher, proofreader and copy-editor, and freelance consultant on plain English in the public sector. She is a regular contributor to Literature Online, where she has written critical biographies of a wide range of science fiction and fantasy authors from JRR Tolkien to China Miéville. The world of the City has provided her with a rare opportunity to combine science fiction, quasi-historical and campus fiction in ‘The Socratic Problem’, as well as have some fun sending up famous philosophers. Elizabeth writes comic literary fiction in her spare time and has just completed her first novel.
Dave Hoskin is a writer living in Melbourne. His fiction has appeared in Doctor Who – Short Trips: Transmissions, Bernice Summerfield: Something Changed, Faction Paradox: A Romance in Twelve Parts, Midnight Echo and World's Collider. His non-fiction has appeared in The Big Issue, Metro, Australian Book Review and Overland. His favourite colour is jam, his favourite band is world peace, and his favourite pastime is closed for renovations. Currently he has no bruises, but several scars. Some of them are visible to passersby.
Juliet Kemp lives in London and writes things down a lot. She has had previous stories published in the anthology Hellebore and Rue and in Eclectic Flash. She has a website at http://julietkemp.com where she talks about plants, building things out of pallets, and anything else that catches her interest.
Philip Purser-Hallard first wrote about the City of the Saved ten years ago, in the Faction Paradox anthology-posing-as-an-encyclopaedia The Book of the War. He has since developed the setting in a cumbersomely-titled novel (Of the City of the Saved...) and an inaccurately-titled short story (‘A Hundred Words from a Civil War’ in Faction Paradox: A Romance in Twelve Parts). He has also written three novellas and various short stories set elsewhere, and featuring an assortment of gods, posthumans, hermaphrodites, duplicates and self-absorbed academics. The rest of the time he works for the government and caters to the whims of a two-year-old, activities which he finds eerily alike. He lives in a house in Bristol and a state of suppressed panic.
Dale Smith: I need you to kill a man, they said. Two hundred, I said, and how do I find him? There was some website – www.dalesmithonline.com – but the only thing you got from that was that he had already died, sometime before the invention of the broadband modem. But I found him. #8216;I know how to live forever,’ he whispered as I stabbed him. Nothing personal, just work. But his name wouldn’t die. Dale Smith, Dale Smith, Dale Smith: he was everywhere. He was dead, and he wouldn’t die. That’s why I’m here. I need you to kill a man.
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Biogs © the contributors 2012.
Tales of the City cover and City of the Saved logo © Cody Quijano-Schell 2012.
All material © Philip Purser-Hallard 2012 except where otherwise noted, and not to be used without permission.